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THE SNAPSHOTS MUSIC AND ARTS FOUNDATION PRESENTS

0:00

10,000 Recordings

0:14

Her Story

0:19

HOW DID YOU BEGIN PLAYING MUSIC?

0:33

HOW DID YOU BEGIN YOUR STUDIO CAREER?

3:34

WHAT WERE THE 1950's & 60's LIKE FOR FEMALE MUSICIANS?

6:35

HOW DO YOU CREATE YOUR SOUND ON THE BASS?

7:34

WHY DID YOU CHOOSE THE BASS AS YOUR MAIN INSTRUMENT?

11:07

HOW DID YOU APPROACH SESSIONS WITH SONNY & CHER?

14:42

HOW CAN YOU CREATE MUSIC FROM AN IDEA OR CONCEPT?

16:52

WHY DID YOU RETURN TO JAZZ AFTER PLAYING POP MUSIC?

21:25

WHAT LESSONS DID YOU LEARN FROM STUDIO SESSION WORK?

25:11

HOW DID YOU MEET AND COME TO WORK WITH PHIL SPECTOR?

29:26

WHAT WAS WORKING WITH BRIAN WILSON LIKE?

33:41

WHAT WAS WORKING WITH RAY CHARLES & MEL TORME LIKE?

36:18

WHAT IS THE IMPORTANCE OF CRAFT IN MAKING MUSIC

39:11

WHAT DO YOU THINK ABOUT THE PRESENTATION OF POP MUSIC?

40:52

CAN MUSIC HAVE A POSITIVE IMPACT ON SOCIETY?

41:40

WHAT ARE YOUR THOUGHTS ON MUSIC PIRACY?

43:02

CAN A PERSON BE A FAN AND PIRATE ARTISTS MUSIC?

45:21

WHY DO YOU THINK SO MANY PEOPLE PIRATE MUSIC?

47:12

WHY DID YOU TRANSITION OUT OF SESSION WORK?

48:49

DID YOU EVER WORK WITH ARTISTS WHO COULD NOT PLAY?

50:56

HOW DO YOU FEEL ABOUT TODAYS DIGITAL STUDIO METHODS?

53:25

WHAT IS YOUR ADVICE TO YOUNG MUSICIANS?

56:02

HOW DO YOU FEEL ABOUT YOUR HISTORY IN MUSIC

57:01